On the right side of this road is a pond that quietly runs through the dense trees and foliage. Upon moving further a man is seen treading along, with a bundle on his back and at a distance is a man riding a horse towards the church that is faintly visible at the end of the trail. Laid out from the left foreground, this alley introduces the viewer to a woodcutter, a worker on a short break from shoveling who is perhaps, conversing with a seated young lady.
LADY IN BLUE DRESS BY GAINSBOROUGH FREE
The poetic delineation of nature and the rural folk therein was a unique aesthetic developed by Gainsborough and in this respect he is absolutely a leader of British School of landscape painting as well as a precursor for artists like John Constable.Īmidst the abundance of beautiful trees in the peaceful free woodlands, rural folk are seen moving across a serpentine path that activates the deep stillness of the woods.With his unconventional ways of painting that employed allegory and idealism, his works presented a departure from dominant academic tradition of history painting and thereby became an inspiring source for artists of Romanticism.This concept would be taken to the next level by the Realists.
Disregarding the conventions of patron selection, Gainsborough opened up the genre of portraiture even to the socially controversial personalities.Andrews, the viewer's presence is not only acknowledged but the figures are also portrayed with uncanny expressions to powerfully convey the condescending attitude of the aristocratic society. Gainsborough made conscious efforts at subverting the mainstream trends by displaying tendencies of deviation and social satire.
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